The Thor layout is pretty easy upon first glance. Follow the arrows and you will generally understand the flow of the sound signal from it's birth - the oscillator, to it's final output of the master volume(located at the top left of the Tho unit). Let's break it down further.
Within Thor, you have access to the following:1. Oscillators
- This is where you select the soundwave type. It will create a very basic sound that can be further refined using the rest of the thor unit.
2. Filters
- The filter overlays on top of the Oscillator's sound. It will cut out, or boost certain frequencies along the sound spectrum.
3. Shaper
- The shaper further refines the waveform via mathematical algorithms.
4. LFOs
- These are a separate waveform generator used in programming other functions.
5. Delay
- Repeats any played notes over time like an echo.
6. Chorus
- Chorus is created by adding a slightly delayed, pitch-modulated version of a sound to the original sound.
7. Mod Envelopes
- This is another feature used in programming functions. Instead of using a waveform as it's base like the LFO, the mod envelope is based around Attack, Decay, Sustain, and Release functions which we will delve into later.
8. Matrix Sequencer
- The matrix is a mini-sequencer within the Thor unit.
9. Programmer
- This is the core of Thor's advanced audio manipulation. Through this, you can tie together various parts of the Thor unit to produce something completely different from the original set-up.
Understanding the processes behind all the knobs is important to achieving the sound you want, even if you do decide to work only by using and customizing pre-made patches. Next, we will individually dissect each of these modules one by one.

